"My response to the “I am not a feminist” internet phenomenon….

First of all, it’s clear you don’t know what feminism is. But I’m not going to explain it to you. You can google it. To quote an old friend, “I’m not the feminist babysitter.”

But here is what I think you should know.

You’re insulting every woman who was forcibly restrained in a jail cell with a feeding tube down her throat for your right to vote, less than 100 years ago.

You’re degrading every woman who has accessed a rape crisis center, which wouldn’t exist without the feminist movement.

You’re undermining every woman who fought to make marital rape a crime (it was legal until 1993).

You’re spitting on the legacy of every woman who fought for women to be allowed to own property (1848). For the abolition of slavery and the rise of the labor union. For the right to divorce. For women to be allowed to have access to birth control (Comstock laws). For middle and upper class women to be allowed to work outside the home (poor women have always worked outside the home). To make domestic violence a crime in the US (It is very much legal in many parts of the world). To make workplace sexual harassment a crime.

In short, you know not what you speak of. You reap the rewards of these women’s sacrifices every day of your life. When you grin with your cutsey sign about how you’re not a feminist, you ignorantly spit on the sacred struggle of the past 200 years. You bite the hand that has fed you freedom, safety, and a voice.

In short, kiss my ass, you ignorant little jerks.”

Libby Anne (via coachk13)

(via davetheshady)

[…] If Snowpiercer had merely told the tale of an oppressed working class rising up to seize power from an evil overlord, it would already have been an improvement over most of the political messages in mainstream cinema. There are all sorts of nice touches in its portrayal of a declining capitalism that can maintain its ideological legitimacy even when it literally has no more bullets in its guns.

But the story Bong tells goes beyond that. It’s about the limitations of a revolution which merely takes over the existing social machinery rather than attempting to transcend it. And it’s all the more effective because the heart of that critique comes as a late surprise, from a character we might not expect.

[…] All too often, explicitly political art fails as both art and politics. Socialists shouldn’t put up with half-assed imitations of popular genres, nor with political messages denuded of anything but the lowest common denominator.

What makes Snowpiercer satisfying is that it commits neither error. It’s an engrossing and stylish movie, and its underlying themes go beyond merely pointing out class exploitation to challenge the logic of capital. It’s a movie that should be seen as widely as possible, if only so that Bong Joon-ho gets more chances to make movies for English-speaking audiences that badly need them.